Doctor Strange in the Multiverse of Madness is neither very mad nor very multiversal, but it’s likely the most the Marvel Cinematic Universe has ever allowed a filmmaker to reach out from its steel cage house style. Despite its bloat, inelegance, and sheer refusal to do anything interesting with the multiverse concept, this is as close as the MCU is going to get to pure horror and an auteur’s vision. Sam Raimi’s influence is invigorating and his winking verve is a balm: Multiverse of Madness brings the splatstick terror and a surprising brutality to its unwieldy superhero story. Minor spoilers ahead…

Spinning off from the adventures of Loki and the TVA, Marvel Studios’ What If…? explores the fractured branches of Phase Four’s next big thing: the Multiverse. Animated, self-contained episodes that ask the titular question, the series opens a cabinet full of possibilities, even if it feels a little inconsequential. With its journeys into entertaining parallel realities, What If…? is playful enough with its creativity and dazzling animation, but these half-hour jaunts feel more like curiosities than essential text. Three episodes watched for review, minor spoilers ahead…

Star power and the best street-level action this side of The Winter Soldier do a lot of the heavy lifting for the long-awaited, long-overdue Black Widow. Scarlett Johansson and Florence Pugh shine in Natasha Romanoff’s solo outing, but in the wake of Avengers: Endgame, it all feels a little inconsequential and oddly timed; what should be a moving swan song and a passing of the baton instead feels like a fleeting adventure straight out of the MCU’s early days. Nevertheless, Black Widow will delight fans of the character while simultaneously paving a bright future for the mantle. Minor spoilers ahead…

Leaving behind the hexed sitcom world of WandaVision, the next Disney Plus foray into the Marvel Cinematic Universe looks into the two complex figures of Captain America’s legacy: The Falcon and the Winter Soldier. Balancing out adrenaline-pumping action with quieter character moments, the series is surprisingly effective at tackling its themes of trauma, guilt, and patriotism in a post-Blip world. One episode watched for review. Minor spoilers ahead...

Bloated, over-produced, and underwritten, the Russo Brothers’ latest film - based upon Nico Walker’s novel of the same name - is a self-indulgent exercise in filmmaking hubris. The very definition of style over substance, Cherry is a lurching homunculus of artifice that never feels authentic, not even for a second. With nothing to say about any of the serious subjects it broaches, Cherry is prime contender for one of the worst films of the year. Minor spoilers ahead…

As the first series to usher in a new slate of original content on Disney Plus and the first Marvel Cinematic Universe project to grace our screens in over a year, WandaVision has a lot riding on its shoulders. And it’s largely excellent. Those critical of Marvel’s workmanlike superhero fare will find that WandaVision taps into some of the MCU’s wildest potential with two of its most compelling characters. Three episodes watched for review.

Spider-Man: Far From Home, Tom Holland’s second standalone appearance as the friendly neighborhood web-head, is a worthy followup to 2017’s Homecoming and a strangely fitting end for Marvel’s Phase Three. A confident mix of humor, action, and comic book zaniness, Far From Home’s sleight-of-hand pulls off effective and high-impact twists and turns, even when you see them coming. With an assist from Jake Gyllenhaal’s captivating performance as Quentin Beck, the film is one of Marvel’s best in recent memory. Mild spoilers ahead…

The end is here. The Marvel Cinematic Universe wraps up its long-running “Infinity Saga” with the messy, convoluted, and thematically satisfying Avengers: Endgame. The 22nd film in a franchise spanning over a decade, Marvel architects Joe and Anthony Russo compose a resonant coda to a story that began with 2008’s Iron Man, but also create a new breed of spectacle that defies criticism and filmmaking logic. Minor spoilers ahead...

Captain Marvel, the Marvel Cinematic Universe’s first female-led superhero flick, sees the highly anticipated (and also unfortunately controversial) debut of Brie Larson as the titular super-heroine. Directed by indie film duo Anna Boden and Ryan Fleck, Captain Marvel is the living embodiment of some of the MCU’s worst tendencies, but still ends up being an enjoyable ride and a fine introduction for Carol Danvers. The film’s uneven pacing, muted character beats, and boring CGI spectacle leaves a lot on the table, but are outweighed by the script’s humor and Brie Larson’s fun and easy chemistry with Samuel L. Jackson. Mild spoilers ahead…

The home stretch of the Marvel Cinematic Universe's Phase Three is finally here, and the Russo brothers deliver an epic, brutal, and oftentimes scattered showdown with the Mad Titan Thanos. Buckling, even if never caving, under the weight of the preceding 18(!) films, Avengers: Infinity War can't quite live up to the high-water mark year the MCU has had, but it damn well tries and it's a minor miracle that the film works as well as it does. Mild spoilers ahead...