The long-gestating Black Adam, whose association with Dwayne “The Rock” Johnson long predates the DC Extended Universe itself, is finally here. Exactly what’s described on its tin, the film never really fulfills Johnson’s hyperbolic overpromise of “changing the hierarchy of power of the DC Universe,” but there’s a fleet charm in its unapologetic goofiness and blunt-force alacrity. An uneven rebuttal of black and white superhero morality, Black Adam successfully — and at times sloppily — juggles its brutality and crowd-pleasing action; it’s a classic superhero team-up in a mixed bag. Minor spoilers ahead…

Within the glut of modern superhero fiction on the big screen, Matt Reeves’ The Batman is a stylish, revitalizing tonic. A coming-of-age story grafted onto a pitch-black noir, the film plants the seeds for The World’s Greatest Detective and strikes at the beating hearts of Batman, the Waynes, and Gotham City. Under a slowly unspooling mystery and a bevy of comic book influences, Reeves launches the Caped Crusader back into the limelight of his own franchise, delivering a new, definitive Batman mythos. Robert Pattinson and Zoë Kravitz shine. Minor spoilers ahead…

The Suicide Squad is comics legend John Ostrander personified through James Gunn’s brazen sensibilities. Surprising heart wrapped in ultra-violence, it’s the Task Force X I’ve always wanted to see, and it mines incredible fun from being brutally unkind to its “heroes.” Jettisoning the turgid continuity of its 2016 predecessor, The Suicide Squad dispenses with edgelord theatrics and gets straight to the dangerous fun. Minor spoilers ahead…

Wonder Woman 1984 is one of the most disappointing films of the year. With its weightless action, incoherent plot, and tenuous grasp of common sense, this follow-up to 2017’s superheroine blockbuster is as choppy as they come. There are glimmers of promise with the film’s scenery-chewing villains, but almost everything is undercooked, making its interminable 151-minute runtime even more egregious. Minor spoilers ahead…

DC Universe’s third live-action original series, Swamp Thing, debuted less than two weeks ago, but has already been mysteriously and unceremoniously canceled. But like many one-season wonders can tell you, just because something has been canceled doesn’t mean it isn’t worth your time. An enthralling blend of body horror, Southern Gothic, and comic book weirdness, Swamp Thing is the best version of itself. Minor spoilers ahead...

The seventh entry in the DC Extended Universe, Shazam! continues Warner Brothers’ quest to find its footing among superhero features. Bringing in a remarkable sense of humor and fun, the film is the DCEU’s best installment yet. Shazam! coasts on the charms of its young cast plus the shenanigans of Zachary Levi in the title role, and is able to transcend its cookie-cutter villain and third act doldrums with an upbeat confidence. Mild spoilers ahead…

James Wan’s foray into the DC Extended Universe is a poorly paced and corny cheese-fest, but it never pretends to be anything other than fun. What Aquaman lacks in finesse, it makes up for in Jason Momoa’s attitude and charming commitment to the role. Leaps and bounds better than Zack Snyder’s Batman v. Superman: Dawn of Justice and Justice League, the film is a flawed spectacle whose sole purpose is to entertain - an old-fashioned fantasy yarn with likable characters and frenetic underseas action. Mild spoilers ahead…

Justice League avoids DOA status like Batman V. Superman: Dawn of Justice and Suicide Squad, but Wonder Woman it is not. An attempt is made to inject much needed levity and fun to the franchise; however, a rotten foundation of previous stinkers, a cookie-cutter plot, and the worst comic book film villain in recent memory sabotage the film. Mild spoilers ahead...