Moon Knight brings a pulpy, globe-trotting spirit to the Marvel Cinematic Universe. Breathing life into the little-known Marc Spector, the Fist of Khonshu, Oscar Isaac commits wholeheartedly to dual roles defined by instability, British cheek, and bloody fisticuffs. A standalone six-episode series, Moon Knight is stuffed to the brim with fascinating possibilities, but only time will tell if it can traverse its tricky tightrope stretched between superheroics and mental illness. Four episodes watched for review. Minor spoilers ahead…

Clever and imaginative, Disney Plus’ latest Marvel series - Loki - brings the beloved scoundrel back to life. This new story takes the God of Mischief out of his element on a rousing, time-hopping, sci-fi adventure, diving deeper into his mercurial psyche while also expanding the weirder corners of the Marvel Cinematic Universe. Two episodes watched for review. Minor spoilers ahead…

Gorgeously realized with Disney’s signature heart and warmth, Raya and the Last Dragon is another feather in the animation studio’s cap, even if its muddled representation and thin plotting occasionally get in the way of its emotional beats. An epic action-adventure with an all-Asian voice cast, Raya balances its huge stakes with human moments and particularly charismatic performances from Kelly Marie Tran, Awkwafina, and Gemma Chan. Minor spoilers ahead…

As the first series to usher in a new slate of original content on Disney Plus and the first Marvel Cinematic Universe project to grace our screens in over a year, WandaVision has a lot riding on its shoulders. And it’s largely excellent. Those critical of Marvel’s workmanlike superhero fare will find that WandaVision taps into some of the MCU’s wildest potential with two of its most compelling characters. Three episodes watched for review.

Mulan, which saw its unprecedented streaming release on September 4th in the wake of the COVID-19 pandemic, rises above the recent spate of facile live-action Disney remakes by trying something a little different, but the bar is so low that it barely feels like a victory. And while there’s something undoubtedly stirring about seeing an all-Asian cast in such a high-profile tentpole film, Mulan’s representation only extends to the actors in front of the camera, resulting in an end product that is woefully dispirited and underwritten. In the end, by glossing over rich historical detail and ignoring an era of atypically empowered women, the film’s all-white producers and writers are never more apparent, especially when tackling what could have been the story’s most fascinating addition: Gong Li’s sorceress villain, Xian Lang. Minor spoilers ahead…