My coverage of this year’s New York Film Festival begins with Joel Coen’s The Tragedy of Macbeth. An abridged, yet faithful, adaptation of William Shakespeare’s famed play, Coen’s black and white stunner gives captivating reason for its own existence. With stark, gorgeous visuals and dynamic performances, The Tragedy of Macbeth finds crevices and spaces unexplored in a familiar story. Minor spoilers ahead…

A vérité mix of fiction and documentary, Chloé Zhao’s enthralling Nomadland captures a lost sliver of American life. Frances McDormand is astounding as the understated Fern, bringing a quiet dignity to one of the most soulful performances of the year. Adapted from Jessica Bruder’s book, Nomadland jettisons melodrama and traditional narrative tensions, choosing instead to explore life on the road with lightly-fictionalized versions of real-life nomads. A graceful elegy and a hopeful portrait, Nomadland - like Zhao’s The Rider before it - is a new standard for the American western.