Welcome to my dispatch from this year’s SXSW. Like always, I won’t be writing full reviews of everything I see at the festival, but this year has plenty of notable features worth at least a quick write-up: Paul Feig’s long-awaited sequel Another Simple Favor, Michael Bay’s kinetic foray into documentaries, and Alison Brie and Dave Franco’s gross-out “metaphorror” flick. Here are the capsule reviews for A Simple Favor 2, We Are Storror, Together, and Death of a Unicorn.

As with typical Christopher Landon fare, Drop is by-and-large a lighter version of a movie you’ve already seen with its glaring flaws plastered over by an immensely likable lead. Here, Meghann Fahy navigates a first date that plunges into a paranoid nightmare, terrorized by anonymous drops that threaten her family. With a winnowing bag of tricks and a bottle-episode location that feels more limiting than creative, Drop works as well as it does solely upon Fahy’s winning performance and frantic interiority. Minor spoilers ahead…

Once again transmogrifying old-school exploitation into her own feminist styling of New French Extremity, Coralie Fargeat trades in the empowered bloodletting of 2018’s Revenge for body horror. The Substance is one-note, obscene, and about as subtle as a sledgehammer — and it also happens to be one of the best movies of the year. Minor spoilers ahead…

Welcome to my dispatch from this year’s SXSW. Like always, I won’t be writing full reviews of everything I see at the festival, but this year is filled with big headliners and gnarly midnighters: the latest Alex Garland, an indie horror director’s frightening sophomore feature, a new Doug Liman remake of a beloved cult classic, and Hunter Schafer’s debut in a leading role. Here are the capsule reviews for Civil War, Oddity, Road House, and Cuckoo.

My 2024 SXSW coverage continues with Michael Mohan’s nun-themed horror film: Immaculate. An attempt at “nunsploitation” that never quite reaches the requisite luridness of its subgenre, Sydney Sweeney’s scream queen turn only finds tepid scares and lukewarm thrills. Minor spoilers ahead…

2023: a tumultuous, but also exciting year for cinema that saw the bottoms fall out of once unstoppable franchises and the rise of new and old masters. Characterized by surprise blockbusters, stinging excavations of the human condition, and a few bold oddities, this year was a cornucopia of great film. So much so that for the first time ever, I’m expanding the usual top 10 to a top 20.

Director Kevin Greutert returns to the franchise that birthed his feature-length career with Saw X, a precise and brutal high watermark that knows exactly what its audience wants. Top-tier Tobin Bell, top-tier Shawnee Smith, top-tier traps: it’s the best Saw in years and perhaps since the original. Minor spoilers ahead…

My favorite horror movie, 2008’s Australian cult sleeper - Lake Mungo - is celebrating its 15th anniversary this week. Within the walls of a mockumentary, dread and sorrow percolate into a devastating crescendo as the Palmer family grapples with the specter of death, and there’s nothing quite like it. A terrifying haunted house yarn that belies its tragic, shattering underbelly, Lake Mungo is a masterwork of grainy apparitions, mounting unease, and quiet restraint. Minor spoilers ahead…

Every single Evil Dead movie is a bloody, gruesome delight, and now the tradition continues with Lee Cronin’s Evil Dead Rise. A decade after a deadly-serious reboot turned the franchise on its head, this new installment finds a bond between sisters shredded by a disgusting waltz of Deadites, guts, and gore. Alyssa Sutherland brings her A-game as a twisted, cackling fiend: a physical performance for the ages. Minor spoilers ahead…

Crackling with confident, formal prowess and visual electricity, M. Night Shyamalan’s Knock at the Cabin is the director’s best film since 2004’s The Village. A family’s impossible choice framed by ratcheting tension and blistering performances, Shyamalan’s latest nerve-jangler is a chamber piece artfully designed to quicken pulses and break hearts. There isn’t a single wasted shot in Knock at the Cabin’s firecracker, 100-minute runtime: it’s astonishing to watch. Minor spoilers ahead…

Kyle Edward Ball delivers one of the scariest movies of the decade with a lo-fi stunner that reaches into the crevices of vestigial instinct. Uncanny in its ability to bottle the ineffable childhood dread of past-your-bedtime nightmares, Skinamarink mines a whole new mode of horror from its swirling grain, sinister corners, and dark spaces. Minor spoilers ahead…

Happy Halloween! There’s nothing quite like the words “Guillermo del Toro curates an anthology” to stoke a horror fan’s anticipation. Cabinet of Curiosities, del Toro’s attempt to assemble an all-star roster of genre voices, is as consistently wonderful and gruesome as anthologies get. With creeping eldritch terror, nasty alien infestations, and gothic creature features, Guillermo del Toro’s Cabinet of Curiosities has remarkably few duds and more than its fair share of bangers. It’s the perfect way to spend your All Hallow’s Eve. Minor spoilers ahead…

Coverage of TIFF’s Midnight Madness begins here! The Golden Age of Hollywood meets the bloody end of a pitchfork, Ti West’s colorful prequel is the perfect companion piece to this year’s X. Expanding Mia Goth’s performance into an unhinged showcase with a jaw-dropping, single-take monologue, Pearl leaves behind the grimy 70s porn slasher for the pastures of a technicolor nightmare. Spoilers for X and minor spoilers for Pearl ahead…

The secrets to Zach Cregger’s Barbarian have been closely guarded since its premiere at San Diego Comic-Con in July, and for good reason: There are some nasty tricks hiding in this basement. Gore-hounds and squirm-fiends with appetites for sick thrills will have a great time with the film’s surprisingly funny descent into madness, but Barbarian’s fizzling atmosphere and payoffs make it this year’s not-quite-Malignant. Minor spoilers ahead…

A sprawling, sci-fi procedural anchored by weighty performances, white-knuckle set pieces, and thunderous soundscapes, Nope is director Jordan Peele’s most mature and layered work, exploring our primordial obsession with spectacle and our desperate need to capture it. A slowly unfolding puzzle box that is as alluring as it is exhilarating, Peele assembles his formidable image-making around what he knows best: terror and wit. Minor spoilers ahead…

Scott Derrickson’s highly anticipated The Black Phone is a fractured, slack exercise in lukewarm horror. Undermining Joe Hill’s short story of the same name with multiple threads that never come together and a villain as thin as he is forgettable, The Black Phone makes weak-willed grasps at the intelligent thriller it could have been. At least Ethan Hawke got paid. Minor spoilers ahead…

Body is reality. Surgery is the new sex. David Cronenberg’s first feature in eight long years acts as a furtive peek into a carefully crafted, crumbling dystopia. In a world where graphic surgeries are the only form of entertainment remaining, Crimes of the Future explores — with a demure thoughtfulness — the complexities of art and performance in an increasingly uninhabitable society. Come for Cronenberg’s body horror resurgent, stay for the perfect weirdo performances from Viggo Mortenson, Lea Seydoux, and Kristen Stewart. Minor spoilers ahead…

Combining familiar, 70s grindhouse terror with modern sensibilities, X is director Ti West’s best film since 2009’s House of the Devil. With bloody slasher mayhem unspooling on a porn set, West’s latest slice of brutality brings the nudity and gore, but underneath its vintage horror pastiche lies a sex-positive, beating heart that examines the cutting power of jealousy and the unforgiving cruelty of time. Mia Goth, Brittany Snow, and Jenna Ortega form a new Scream Queen triumvirate. Minor spoilers ahead…