Lazy and uninspired, J.J. Abrams’ Star Wars: The Rise of Skywalker is a pandering regression from the bold new direction established by Rian Johnson’s The Last Jedi. Even worse, it’s the first Star Wars film engineered to please its loudest and most troubled demographic: the toxic fandom. A frantic rush to bring a nine-film saga to a close, The Rise of Skywalker is filled with narrative dead-ends, aborted character arcs, and generic fetch quests, all designed to please as many people as possible. Minor spoilers below…

Netflix, in an unprecedented move, dropped an entire feature-length film onto unsuspecting audiences right after the Super Bowl last night. The third film in the Cloverfield franchise developed by J.J. Abrams, The Cloverfield Paradox is a new sci-fi film that attempts to tackle parallel universes, space adventure, and giant monsters...and fails miserably. Uninspired, lazy, and mostly just nonsensical, The Cloverfield Paradox is a waste of a perfectly executed marketing stunt. Mild spoilers ahead...