Greta Gerwig, through the lens of a massive IP tentpole, goes on a non-stop, pointed charm offensive. Strange, earnest, and quite delightful, Barbie takes a playful sledgehammer to gender, coming-of-age, and the very concept of a brand-driven movie. Margot Robbie and Ryan Gosling put forth superstar performances. Minor spoilers ahead…

Un-American. Treasonous. Racist. Sexist. Instead of describing the next embarrassing farce of the current American political landscape, this incendiary hyperbole is being used to characterize an innocuous Neil Armstrong biopic as one of the worst things to ever happen in Hollywood. Immune from neither the right nor the left, Damien Chazelle’s First Man is a strange casualty of today’s outrage culture, an ugly trend that is slowly suffocating productive discourse in favor of holier-than-thou fist-waving. Empathy and meaningful dialogue are dying, and the current zeitgeist has spoken in the voice of an absurd motto: if you’re not mad about everything, then you don’t care about anything.

Denis Villeneuve's Blade Runner 2049 is not for everyone, but the film is a remarkable slow burn that not only improves upon, but elevates, the original. Deliberate in its pacing and world-building, the follow-up to Ridley Scott's dystopian vision of Los Angeles uses breathtaking cinematography, impeccable production and costume design, and interesting character moments to make our second visit even more revelatory than the first. Mild spoilers ahead...