Rebecca Hall continues her streak of blistering performances in Andrew Semans’ harrowing Sundance psychodrama. A tale about motherhood, hidden pasts, and the limits of control, Resurrection unspools a single mother’s crushing secret in a steely structure that belies its brazen, outrageous horror. Every Sundance has that one Midnight film that lays worms in your brain, and Resurrection is this year’s culprit: a bloody, twisted ride with shocking revelations. Minor spoilers ahead…

Welcome to my first dispatch from this year’s Sundance Film Festival. As usual, I won’t be writing full reviews of everything I see at the festival, but there are plenty of great films in this year’s slate that deserve attention. Here are the capsule reviews for Sundance’s cavalcade of one-word titles: The Princess, Fresh, Master, Dual, and Watcher. Minor spoilers ahead…

My 2022 Sundance Film Festival coverage begins here. In 2017, the pseudonymous Kogonada made waves at Sundance with his intimate character drama, Columbus. Five years later, the prominent video essayist and filmmaker has returned with After Yang, a meditative sci-fi stunner no less affecting than his beautifully-wrought debut. A deeply emotional examination of identity, purpose, and the memory of all things, After Yang tackles its themes — and its surprising thread on what it means to be Asian and Asian American — with grace and craft. Minor spoilers ahead…

Welcome to my coverage of 2022’s Sundance Film Festival! Once again, Sundance has gone all-virtual usual, this time due to a resurgent COVID variant. This year’s festival sees a variety of exciting offerings, including a harrowing Midnight slate. Other highlights include Joachim Trier’s conclusion to his “Oslo Trilogy” The Worst Person in the World, a new sci-fi tale from Kogonada, and a twisted thriller starring Rebecca Hall. Below, you’ll find my entire coverage, including a dispatch of capsule reviews. All reviews in viewing order…