Ryan Coogler pulls it out of the fire with the overstuffed, gorgeously wrenching Black Panther: Wakanda Forever. A powerful tribute to the late Chadwick Boseman combined with Marvel myth-making at its most thoughtful, the film admirably attempts to fill an irreparable void left by its star’s untimely passing. Wakanda Forever strikes sometimes delicate, sometimes clumsy balance between an all-caps comic book movie and an intimate tour through the stages of grief. Letitia Wright, Angela Bassett, and Tenoch Huerta are the most formidable trifecta Marvel has seen in years. Minor spoilers ahead…

The long-gestating Black Adam, whose association with Dwayne “The Rock” Johnson long predates the DC Extended Universe itself, is finally here. Exactly what’s described on its tin, the film never really fulfills Johnson’s hyperbolic overpromise of “changing the hierarchy of power of the DC Universe,” but there’s a fleet charm in its unapologetic goofiness and blunt-force alacrity. An uneven rebuttal of black and white superhero morality, Black Adam successfully — and at times sloppily — juggles its brutality and crowd-pleasing action; it’s a classic superhero team-up in a mixed bag. Minor spoilers ahead…

Thor: Love and Thunder — for better or worse — is Ragnarok redux, down to its goofy lark humor and its undercooked A-list star as villain. But even with its superhero comedy dialed up to eleven and struggle with tone, its fleet adventure feels like a tonic, free from multiverses, cameos, and the seemingly requisite MCU buildup to the next “thing.” It’s one of the stronger Phase Four entries. Minor spoilers ahead…

Doctor Strange in the Multiverse of Madness is neither very mad nor very multiversal, but it’s likely the most the Marvel Cinematic Universe has ever allowed a filmmaker to reach out from its steel cage house style. Despite its bloat, inelegance, and sheer refusal to do anything interesting with the multiverse concept, this is as close as the MCU is going to get to pure horror and an auteur’s vision. Sam Raimi’s influence is invigorating and his winking verve is a balm: Multiverse of Madness brings the splatstick terror and a surprising brutality to its unwieldy superhero story. Minor spoilers ahead…

Moon Knight brings a pulpy, globe-trotting spirit to the Marvel Cinematic Universe. Breathing life into the little-known Marc Spector, the Fist of Khonshu, Oscar Isaac commits wholeheartedly to dual roles defined by instability, British cheek, and bloody fisticuffs. A standalone six-episode series, Moon Knight is stuffed to the brim with fascinating possibilities, but only time will tell if it can traverse its tricky tightrope stretched between superheroics and mental illness. Four episodes watched for review. Minor spoilers ahead…

Within the glut of modern superhero fiction on the big screen, Matt Reeves’ The Batman is a stylish, revitalizing tonic. A coming-of-age story grafted onto a pitch-black noir, the film plants the seeds for The World’s Greatest Detective and strikes at the beating hearts of Batman, the Waynes, and Gotham City. Under a slowly unspooling mystery and a bevy of comic book influences, Reeves launches the Caped Crusader back into the limelight of his own franchise, delivering a new, definitive Batman mythos. Robert Pattinson and Zoë Kravitz shine. Minor spoilers ahead…

The eagerly-anticipated Spider-Man: No Way Home, Tom Holland’s third solo outing as the web-slinging superhero, is the shaggiest and certainly the most stylistically inert of the MCU Spideys. Overstuffed and frenetic, the film cracks open the Marvel Multiverse with sledgehammer pandering. It’s anything but artful, but there’s no denying the power of its crossover charms; even more impressively, No Way Home tackles heroic compassion in a way that finally strikes true to the heart of Spider-Man. Minor spoilers ahead…

Shang-Chi and the Legend of the Ten Rings is as fresh as Marvel has been in years. A moving tragedy about fathers, sons, and the crushing weight of filial expectations, director Daniel Destin Cretton wraps affecting drama within an effortlessly cool superhero origin story. The MCU’s first film with an Asian lead doesn’t disappoint - even with its muddy, CGI soup third act, there’s a voice within Shang-Chi’s kinetic action, and a powerful performance from screen legend Tony Leung as one of the MCU’s best villains. Minor spoilers ahead…

The Suicide Squad is comics legend John Ostrander personified through James Gunn’s brazen sensibilities. Surprising heart wrapped in ultra-violence, it’s the Task Force X I’ve always wanted to see, and it mines incredible fun from being brutally unkind to its “heroes.” Jettisoning the turgid continuity of its 2016 predecessor, The Suicide Squad dispenses with edgelord theatrics and gets straight to the dangerous fun. Minor spoilers ahead…

Clever and imaginative, Disney Plus’ latest Marvel series - Loki - brings the beloved scoundrel back to life. This new story takes the God of Mischief out of his element on a rousing, time-hopping, sci-fi adventure, diving deeper into his mercurial psyche while also expanding the weirder corners of the Marvel Cinematic Universe. Two episodes watched for review. Minor spoilers ahead…

Amazon’s new animated series goes through familiar superhero motions, but its well-crafted and jaw-dropping twist will keep you engaged. Based on The Walking Dead scribe Robert Kirkman’s comic book of the same name, Invincible captures its source material’s tone and charm; its clean animation, talented voice cast, and big moments do a lot of heavy lifting, even if some of its storytelling and tropes feel dated. Three episodes watched for review. Minor spoilers ahead…

Leaving behind the hexed sitcom world of WandaVision, the next Disney Plus foray into the Marvel Cinematic Universe looks into the two complex figures of Captain America’s legacy: The Falcon and the Winter Soldier. Balancing out adrenaline-pumping action with quieter character moments, the series is surprisingly effective at tackling its themes of trauma, guilt, and patriotism in a post-Blip world. One episode watched for review. Minor spoilers ahead...

Wonder Woman 1984 is one of the most disappointing films of the year. With its weightless action, incoherent plot, and tenuous grasp of common sense, this follow-up to 2017’s superheroine blockbuster is as choppy as they come. There are glimmers of promise with the film’s scenery-chewing villains, but almost everything is undercooked, making its interminable 151-minute runtime even more egregious. Minor spoilers ahead…