The end is here. The Marvel Cinematic Universe wraps up its long-running “Infinity Saga” with the messy, convoluted, and thematically satisfying Avengers: Endgame. The 22nd film in a franchise spanning over a decade, Marvel architects Joe and Anthony Russo compose a resonant coda to a story that began with 2008’s Iron Man, but also create a new breed of spectacle that defies criticism and filmmaking logic. Minor spoilers ahead...

Welcome to the Strange Harbors review of the final season of Game of Thrones. Typically, I tend to avoid posting recaps/reviews of single, individual episodes, but Game of Thrones is a cultural behemoth that deserves a more in-depth look at each installment, especially in its last six episodes. Each recap/review of the final season will be written from my perspective as A Song of Ice and Fire book-reader and a fan of the show. Today, we will be covering the second episode of Season 8, titled “A Knight of the Seven Kingdoms.” Spoilers ahead…

The 2019 Pet Sematary remake deviates wildly from previous iterations, but the fable remains the same: let sleeping cats lie. Directed by the relatively green duo of Kevin Kölsch and Dennis Widmyer and starring familiars like Jason Clark, Amy Seimetz, and John Lithgow, the film touts few impressive scares, but wins points for its ultra-eerie and unsettling ambience. Minor spoilers ahead…

Welcome to the Strange Harbors review of the final season of Game of Thrones. Typically, I tend to avoid posting recaps/reviews of single, individual episodes, but Game of Thrones is a cultural behemoth that deserves a more in-depth look at each installment, especially in its last six episodes. Each recap/review of the final season will be written from my perspective as A Song of Ice and Fire book-reader and a fan of the show. Today, we will be covering the Season 8 premiere, titled “Winterfell.” Spoilers ahead…

The seventh entry in the DC Extended Universe, Shazam! continues Warner Brothers’ quest to find its footing among superhero features. Bringing in a remarkable sense of humor and fun, the film is the DCEU’s best installment yet. Shazam! coasts on the charms of its young cast plus the shenanigans of Zachary Levi in the title role, and is able to transcend its cookie-cutter villain and third act doldrums with an upbeat confidence. Mild spoilers ahead…

What Stephen King calls his most frightening novel makes for a bloody, but muddled film. Directed by Mary Lambert and penned by King, Pet Sematary is written faithfully close to its source material, but stiff acting and off-balance pacing dampen its effectiveness. Packed with 80s camp, including some stellar gore and creepy-kid horror riding off the coat-tails of 1988’s Child’s Play, the film is vintage fun, but is probably viewed through rose-colored glasses. Die-hard King fans may be able to appreciate the sickly silliness, but not if they’re searching for a sincere scare.  

Not vintage enough to be a throwback and not bold enough to be cutting-edge peak TV, CBS’s The Twilight Zone wades in sleepy ambivalence. Producer and narrator Jordan Peele, fresh off his horror hit Us, takes Rod Serling’s place and leads a star-studded cast in the reboot, but the show’s languid narratives and glib messaging get in its own way. This review encompasses the first two episodes of the new anthology, which are now streaming on CBS All Access. Minor spoilers ahead…

Us, writer and director Jordan Peele’s followup to 2017’s Oscar-winning Get Out, cements the filmmaker’s well-deserved reputation as horror’s “next big thing.” A whirlwind of humor, thrills, and creepy imagery, the film is a living denial of the sophomore slump, even if it never reaches the airtight highs of his debut. Along with cinematographer Mike Gioulakis (It Follows) and a tour de force cast, Peele supplies a gorgeously crafted narrative and bracing social commentary, but also falls short of true greatness with his penchant for hand-holding and blunt-force messaging. Mild spoilers ahead…

In today’s sensitive political climate, a film like Dragged Across Concrete is sure to prod, offend, and enrage. The third feature from writer and director S. Craig Zahler, the film is a perfect cauldron of incendiary messaging - from its casting to its characters and narrative, Dragged Across Concrete teems with nasty provocations that will undoubtedly cut against the grain of all liberal sensibility. But, Zahler’s latest is also an effective and engrossing police thriller that paints realistic portraits of its characters, rough edges and all. As a left-leaning member of today’s society, my experience with the film is a curious paradox: a cautious and hesitant appreciation for a stylized and violent tour de force, even if it is steeped in a harrowing backwards morality. Mild spoilers below…

Based on the 2011 novel of the same name by Tom Perrotta, The Leftovers is a television series that ran on HBO from 2014 to 2017 for three seasons. Even though critically acclaimed with a devoted fanbase, The Leftovers often took a backseat to HBO's other prestige dramas. Today, we're taking a closer look at this remarkable show almost two years after its stunning series finale. Sprawling, often baffling, and supremely confident, The Leftovers is one of the weirdest shows you'll ever see - and also one of the best. Major spoilers for The Leftovers below...

Captain Marvel, the Marvel Cinematic Universe’s first female-led superhero flick, sees the highly anticipated (and also unfortunately controversial) debut of Brie Larson as the titular super-heroine. Directed by indie film duo Anna Boden and Ryan Fleck, Captain Marvel is the living embodiment of some of the MCU’s worst tendencies, but still ends up being an enjoyable ride and a fine introduction for Carol Danvers. The film’s uneven pacing, muted character beats, and boring CGI spectacle leaves a lot on the table, but are outweighed by the script’s humor and Brie Larson’s fun and easy chemistry with Samuel L. Jackson. Mild spoilers ahead…

Not trashy enough to be low-brow, but not nuanced enough to be high-brow, director Neil Jordan’s Greta instead finds itself in a rote and disposable middle ground. Even with the talents of Chloë Grace Moretz and the inimitable Isabelle Huppert, the film struggles to rise above a tedious script and paper-thin characterizations. Greta offers some basic thrills and a bevy of interesting individual moments, but none of it is enough to make the film particularly memorable. Minor spoilers ahead…

Everyone knows about mega-popular YouTube channels such as ScreenJunkies, CinemaSins, and ScreenRant - together, these channels and many like them publish breezy video entertainment like 20 Avengers: Endgame Theories That Could Be True, Everything Wrong With Crazy Rich Asians, and 7 Most Underrated Cult Movies. However, YouTube is also fantastic avenue to deliver pop culture analysis and video commentary beyond the fluff of clever snark and video listicles, so today we’re going to take a look at five of my favorite film and pop culture YouTubers that perhaps offer a more insightful look at movies and the cinematic world. From horror nuts to nerdy writers, here are 5 Film and Pop Culture YouTubers to Watch Right Now.

February 15th saw the premieres of not just one, but two super-team television shows. The first, Netflix’s The Umbrella Academy, is based upon a popular Dark Horse comic book by My Chemical Romance frontman Gerard Way and artist Gabriel Bá; the second, Doom Patrol on the DC Universe streaming platform, is adapted from a long-running DC Comics series. And while both shows focus on a ragtag team of superpowered misfits coming together to fight evil, one is clearly better than the other in the way that it translates its source material to screen. Mild spoilers ahead for both The Umbrella Academy and Doom Patrol.

The Prodigy, director Nicholas McCarthy’s new bad-seed horror film, is a fairly predictable tale that telegraphs its plot, but not necessarily its scares. A no-frills exercise in creepy-kid frights, the movie isn’t particularly worth writing home about, but through able direction and a nasty little performance by Jackson Robert Scott, it’s able to rise above your typical horror fare for a good amount of fun. Spoilers ahead...

Whenever one mentions genre television shows that were canceled too soon, Joss Whedon’s 2002 one-season sci-fi wonder, Firefly, is bound to come up in the discussion. There’s nothing wrong with loving Firefly, but today we’re going to look at eight shows other than our favorite space western that perhaps deserved a second shot on the small screen. These eight shows ranged from highly-publicized failures to little-known genre gems that never gained traction, but they all have one thing in common: I was sad to see them go. So here’s a list of eight genre shows that were canceled too soon (that aren’t Firefly).

Netflix’s South Korean zombie horror series, Kingdom, debuted on January 25th. An adaptation of a popular webcomic by Kim Eun-hee and artist Yang Kyung-il, Kingdom’s six-episode first season is breezy, zombified fun. The series gets a lot of compelling mileage out of its unique setting and premise - which is essentially a mashup of period drama and zombie horror - but has a difficult time rising above the conventions of both genres. Minor spoilers ahead…

The Standoff at Sparrow Creek, screenwriter Henry Dunham’s directorial debut, is a quiet VOD and limited release sure to fly under the radar of general audiences during this sleepy January. A taut and effective single-location thriller, the film’s pulp dialogue and airtight pacing make it one of 2019’s first great surprises. The always welcome and underrated James Badge Dale rounds out an all-star cast of character actors in a pulse-pounding mystery. Minor spoilers ahead...